Wessex in Fiction: She Died A Lady

She Died A Lady is a 1943 mystery novel by Carter Dixon (pen name of John Dickson Carr) set in the Exmoor village of Lynmouth, and part of the Sir Henry Merrivale series.

An apparent double suicide of a couple is revealed to be murder when the bodies are found to have been shot at close range. But their footprints can be seen leading to the cliff they supposedly jumped off, with none leading away. Merrivale agrees to investigate.

Merrivale is largely forgotten now, but he appeared in 22 novels between 1992 and 1953. The character and his author were later fictionalised in Anthony Shaffer’s play Sleuth.

Wessex in Fiction: Rebels and Traitors

Rebels and Traitors is a historical novel by Lindsey Davis set during the English Civil War, partly in Oxford. At around 750 pages, it is considerably longer than Davis’s previous novels, and has been compared in its scope to Gone With The Wind.

The story centres on that staple of civil war fiction, the couple who find themselves on opposite sides of the conflict. However, for most of the novel, they are not a couple in the romantic sense of the word, merely two people whose paths have crossed and who the story tracks separately. Gideon Jukes is a radicalised printer’s apprentice from London who joins the New Model Army. Juliana Lovell is the wife of a prominent Royalist from Oxford, Olando, who regards fighting for the King as more important than such trivialities as caring for his wife and children.

The novel has been praised for its meticulous historical research, with some reviewers saying that it is more informative than many a straight historical textbook. However, others have complained that this detracts from the story, which frequently gets interrupted by great infodumps regarding the Rump Parliament or the Levellers. Readers can judge for themselves whether Davis pulls off the tricky balance between entertainment and information.

Wessex in Fiction: The Crowner John Mysteries

The office of crowner (coroner) was established during the reign of Richard I, to protect the financial interests of the Crown in each county of England. One of the coroner’s duties was to investigate the cause of a death believed to be unnatural, once the hue and cry had been raised and it is this function that came to dominate, and which survives into the present day.

Into this historical milieu comes Crowner John, the title character of a series of historical mystery novels and short stories by Bernard Knight, himself a former Home Office pathologist. John De Wolfe returns from the Crusades in 1194, and is appointed Keeper of the Pleas of the King’s Crown (custos placitorum coronas) for the County of Devon by Richard the Lionheart. Over the course of (so far) 15 novels and 4 short stories, he investigates a variety of crimes from his base in Exeter. Making him a coroner not only provides some fascinating historical context for the origins of the office, but also helps to overcome a recurrent problem in many long-running murder mystery series: finding a plausible reason why the protagonist keeps stumbling across dead bodies. Remember all the jokes about Jessica Fletcher, the character played by Angela Lansbury in Murder, She Wrote, being a serial killer? No such explanations are needed here, as investigation of these murders is part of Crowner John’s job description.

The Crowner John mysteries are available wherever books are sold.

Wessex in Fiction: The Well-Beloved

The Well-Beloved was Thomas Hardy’s penultimate novel, though it was only collected into book form in 1897, after Jude the Obscure had already been published, having previously been serialised in the Illustrated London News five years earlier. After the scandal surrounding Tess of the D’Urbervilles, Hardy had promised his editors that this work would be suitable for all the family. Modern audiences might disagree, but more on that anon.

Scculptor Jocelyn Pierston returns from That London to his home on the Isle of Slingers (Portland). The novel follows him at the ages of 20, 40 and 60, falling in love with three generations of the same family. Hardy classified the story as a fantasy, evoking the myth of Pygmalion nearly two decades before George Bernard Shaw named a play after its main character.

It is a sign of changing attitudes that Tess treating a woman who had been seduced and abandoned by her lover as a blameless victim was hugely controversial in its day, while a 60-year-old man getting engaged to the granddaughter of his college-age girlfriend was not. It seems in that in late Victorian England, you were on far safer ground treating women as mythic archetypes than as flesh-and-blood human beings.

Wessex in Fiction: Loss and Gain

Loss and Gain is a semi-autobiographical novel by John Henry (later Cardinal) Newman that tells of a young man’s conversion from Anglicanism to Roman Catholicism while studying at Oxford University. The book was immensely popular, going through nine editions and thirteen printings during Newman’s lifetime.

The author avatar in this story is Charles Reding, son of a conservative Church of England vicar in an unidentified country parish in the Midlands. Reding is quite a bit younger than Newman was when he converted, but Newman was always keen to stress that it was a novel, not an autobiography, While at Oxford, Reding becomes disillusioned with the C of E, and follows his friend William Sheffield in “crossing the Tiber” (that is, converting to Catholicism).

Newman himself had been associated with the Oxford Movement, which saw the Church of England as the true inheritor of the Catholic faith while regarding Rome itself as having regressed into a superstitious semi-paganism. However, he began to have doubts about the truth of Anglican claims, which eventually led to him being received into the Catholic church, at great personal cost to his academic career and to his relationships with family and friends.

Loss and Gain takes a satirical approach to the various factions that tried to woo Newman back to the Anglican church. In particular, it served as a rebuttal to From Oxford to Rome, a novel by Elizabeth Harris, who had converted to Rome, but reverted back to Anglicanism, and which was intended as a warning to those considering making the same mistake, as she saw it.

Critical reception at the time of its release was mixed, and largely coloured by reviewers’ reactions to Newman’s own conversion. However, the book is now back in print, and it remains popular with those who have a historical interest in the Oxford Movement and in Victorian attitudes to Catholicism.